swan_tower: (panicked cat)
We've all got a friend like this.

They used to be great. Always there for you, super helpful whenever you needed a hand with something. They were the friendly gossipmonger, full of news about how friends were doing, and they even got you into some new hobbies and communities where you made a ton of new friends. And in turn, when they had a problem or two, you of course did what you could to help them past it, because they meant so much to you.

But lately . . . that friend hasn't been so great.

They started getting needier. Calling you at all hours of the day, to the point where you started using caller ID to screen them out, because you just couldn't deal with it. Then they started emailing you all the time -- five, ten, fifty times a day. You bin some of their messages, read others, and a bunch more languish in your inbox because one of these days, when you have some spare time, you'll get around to them. Even though a lot of what's in those emails is out of date now, and even more of it was never actually that important in the first place.

If that was all, it would be fine. But lately . . . okay, can we be honest? This is your friend, we don't want to speak ill of them, and you remember all those good memories from years past. But lately, "not so great" is kind of an understatement. Your friend -- our friend, because I have one, too -- has gotten toxic.

They're messaging us constantly, not just in email, not just in texts, but in Slack and Discord and every social media app we're on. We block what we can, but we can't stop it entirely, not without abandoning those apps entirely, which means losing touch with the people who aren't so toxic. We go to text our mother on her birthday but there's five pop-over notifications from our friend, and we can only see the first few words of each one, so we can't really tell what they're about (they might be important?); we have to click through and look at them. Of course they're mostly trash, as usual, but oh, here's a cute video they sent, and what was it we were doing? Right, texting our mother. But now our friend is pestering us to say what we think about the gift we got her, and hey, here are some other products we might also like to buy, and they keep doing it even when we tell them to stop. Fliers even show up on our doorstep -- how did our friend get our home address? We specifically tried to keep it from them!

Some days our friend refuses to talk to us unless we download this new app they insist on using. We're not sure why; they swear the app is more convenient for us, but it's janky and loaded with ads and we have to pay money if we want to be able to scroll back and see the conversation we had last week. Plus now our friend's messages are showing up out of order, for . . . reasons? Because of course we'd rather hear again about the car accident they got in two years ago, the one where a toddler died, than about the new energy drink that's helping them lose weight -- sorry, no, that was an ad, and now we've forgotten what message of theirs we were looking for in the first place. Probably one where they were having yet another problem, and if you stopped to count the hours, you'd realize you've spent far more time managing your friend's issues than they have helping you with yours. Or hey, here's one where they're trying to interest us in a new hobby, a new community, but is it just me, or do those people look really sketchy? Every conversation goes slowly, every interaction with this friend is full of distractions and scams and we don't like to admit it but we're pretty sure they're stealing from us when we're not watching.

We've got only two choices, and both of them suck. We can spend seconds, minutes, hours of our one wild and precious life managing our friend's bullshit, trying to reduce it to a minimum since we can't get rid of it entirely. Or we can give up on managing it and just let the sea of chaos wash over us, drowning out everything else.

And all around us, people are moaning that they're such bad friends these days, they have a hard time knowing how to keep up with or interact sensibly with Their Toxic Friend.

It's not you. It's your friend. And mine, and that of every other person who hasn't sworn off all interaction with computer, smart phones, and digital technology.

The tech experience has gotten bad. It's not you, it's them.

But we can't just break up with Our Toxic Friend. Because they're everywhere in our life, and they're constantly getting worse.
swan_tower: (Default)
Over on Mastodon, the question came up the other day of whether people thought it was acceptable to use ChatGPT and that sort of thing as a "writing coach," to improve your own writing.

Let me propose an analogy, by way of illustrating my feelings on this.

Pretend for a minute that someone comes to you and says, I would like to be your writing coach! I don't actually speak English [for the purposes of this analogy, you're all bilingual, so you can have this conversation with the coach]; in fact, this person says, I'm illiterate. But I have here a Big Book of English Sentences, and I will improve your writing by comparing what you've done to my book, whose content I don't understand, to suggest what sentences you should use next.

I somehow doubt anybody would be in a hurry to hire that person as a writing coach.

And yet, you get people out there who think using AI to improve their writing is a good idea. They want to learn from something that does not understand what it's saying -- because it has no actual mind with which to understand. The only difference it sees between "the man walked the dog" and "the man ate the dog" is that the first of those verbs is more commonly followed by "the dog" than the latter is. And because it has no comprehension, it is incapable of aesthetic judgment; if anything, it might steer people toward cliche because cliches are statistically common. It certainly isn't capable of moral judgment, i.e. having an opinion on the content of what you're saying or helping you determine if that's really the message you want to be sending.

What benefit are you actually going to get from a coach like that? The purpose of writing isn't simply to get words down on the page without violating the rules of grammar. It's about learning to use words for a purpose, whether that's to present facts or persuade opinion or just evoke an emotional reaction. They're a tool. And AI doesn't even know what kind of tool a dog leash is, and what differentiates that from a fork. If you ask it to help you write an essay about how to solve world hunger, it could very well come back with "A Modest Proposal."

But hey, it's cheap, right? Much cheaper than paying a teacher or a tutor to work with you, someone with actual comprehension and skill who can explain to you why it's useful or unwise to write in a particular fashion. And if there's one thing late stage capitalism likes, it's "cheap."

(originally posted at Swan Tower: https://is.gd/f4CiHc)
swan_tower: (summer)

Yyyyyyyeah. I’m not going to bother watching any more, and I can’t find any particularly good reason to recommend that anybody else start.

It isn’t actively bad. The music (done by Ludwig Göransson, same guy who scored Black Panther) is great. But the second episode — of eight — had zero screen time with female characters, leaving us at a mere two minutes in over an hour of TV, and a quarter of the season. And furthermore, the pacing is glacial: the second ep, which is thirty-two minutes long, spent most of that time on a series of fight scenes. I can sum up the entirety of the meaningful plot by saying “he finds out that the bounty he’s been hired to bring back can use the Force, and then they leave the planet.” Everything else? It’s filler. Spectacle. Re-iteration of stuff we already know (like “there are other bounty hunters on the trail”) or else stuff that does absolutely nothing to forward the narrative. It just gives our nameless Clint Eastwood expy more reasons to be a badass and fight things. However well-executed the filler may be, at the end of the second episode I had even less interest and less reason to care than I did at the end of the first.

swan_tower: (summer)

Our household of three people has at present ballooned to six people and four cats, courtesy of Pacific Gas and Electric.

I don’t know how this is being reported elsewhere in the country (or elsewhere in the world), so I want to be clear about what’s going on. There are multiple causes for California’s wildfire problem, ranging from climate change to flawed forest management policy in past decades to the expansion of settlement into at-risk terrain. But part of it, especially here in northern California, is the direct fault of our electrical companies.

PG&E has, for years, prioritized making massive payouts to their shareholders over investing in basic maintenance and safety. The equipment that started last year’s devastating Camp Fire — the most destructive in the state’s history, the fire that destroyed the town of Paradise — was built in the early 1900s. It was over a hundred years old. PG&E knew damn well their equipment was out of date and in need of refurbishment or outright replacement. But doing that cuts into the quarterly profits, so it got put off, and put off, and put off — until there was nothing left to replace, because it had all been destroyed by the fire.

This is true all over the areas they serve. It’s why this year PG&E is aggressively cutting power to areas considered to be at risk when we have conditions of dry weather and strong winds — a common occurrence these days, thanks to climate change. Initially all of our house guests (call them what they are; refugees) were here because power was cut to their homes. But then two of them made a run up to Vallejo to rescue their four cats, because while there hadn’t yet been a mandatory evacuation order issued for their area, there was a “precautionary” evacuation underway. This was why. Fires bracketed Vallejo on three sides. We don’t know yet whether any of them were started by PG&E’s power lines, but the Kincade Fire burning up in Sonoma almost certainly was. Because PG&E may be cutting power to areas . . . but they aren’t necessarily shutting down their main transmission lines. And if your immediate thought is “they should do that!,” be aware that part of the problem in Vallejo yesterday was that PG&E shut off the power to the water-pumping stations. Which makes fighting a fire rather more difficult.

I don’t want anybody to walk away from this thinking PG&E is the sole cause of the fires. If we didn’t have such dry conditions and such high winds, coupled with sporadic wet winters that encourage the growth of new brush which then turns into tinder a few months later, the fires wouldn’t burn as hot and as far; that’s thanks to climate change, and humanity is collectively responsible for that one. And it’s true that for a long time forestry officials thought it was best to prevent all forest fires, whereas now we know it’s actually better for the environment to let (smaller) blazes sweep through periodically to clear things out. We could change our urban planning to put fewer homes and people at risk.

But PG&E unquestionably shoulders some of the blame. And so does the overall corporate culture that encourages short-term thinking, boosting quarterly profits at all costs, deferring expenses again and again so you can look “fiscally responsible” (while someone else pays a heartbreaking bill down the road).

That’s finally, maybe, a little bit, beginning to change. Corporations are starting to admit that maybe shareholder dividends should not be their first, last, and only priority. The new Long-Term Stock Exchange was founded to encourage companies to think on time scales longer than three months. We might — we can hope — eventually see a world where we once again know how to plan for the future, investing in infrastructure and building a world future generations will want to live in.

The road there, however, is currently leading through a burned-out hellscape.

swan_tower: (summer)

The more time passes, the less patience I have with the notion that “a real writer writes every day.”

Try subbing in some other words there and see how that sentence sounds. “A real teacher teaches every day.” “A real programmer programs every day.” “A real surgeon performs surgery every day.” These are all patently absurd. The teacher, the programmer, and the surgeon are all better at their jobs for not going to work every day. For taking some days off.

I wonder if what’s going on here is a weird collision between the romanticization of ~art~ and the #@$*%! “Protestant work ethic.” On the one hand you have this sense that writing, or any art, is a ~calling~. And if it doesn’t call to you every day, why, then, you’re not a real writer, are you? On the other hand you’ve got Max Weber frowning over your shoulder and questioning whether what you’re doing is Real Work — so you have to silence him by keeping your nose to the grindstone every day, without respite, because otherwise clearly you’re just a good-for-nothing layabout.

(I’d like to pause and appreciate the value of the tilde for indicating a kind of vaporous awe around a word. Italics just don’t convey the same effect, and neither do quotation marks.)

Writing is Real Work. It may be fun work (a thought that would probably horrify the Calvinists Weber had in mind), but it requires effort, concentration, hours of your life. Some days it’s easier than others. But it’s also weird work, in that sometimes the most vitally useful thing you can do is go for a walk or wash some dishes, because while you’re not looking, your brain sneaks off and figures stuff out. When people ask me how many hours I work each day or week, my response is to give them a baffled shrug, because there aren’t clean boundaries around it; I’m definitely working while I’m drafting a story or answering emails or going over page proofs, but I also may be working while I’m vacuuming the rug or brushing my teeth or reading a book. Which means that days in which I’m not at the keyboard may still in some fashion be work days — but thinking of them that way is pernicious. If an idea comes to me, awesome, but in the meanwhile I’m going to have a life.

Because contrary to what corporate America wants us all to believe, we can have lives outside our jobs, and we should. We will not just be better employees for the time off; we’ll be better people, too. And that’s just as true of writers as it is of anybody else.

Duolingo

Jan. 9th, 2019 10:49 am
swan_tower: The Long Room library at Trinity College, Dublin (Long Room)

On the recommendation of several friends, I recently started using Duolingo to study Japanese. The tldr; of my reaction is that Duolingo seems like a great way to practice a language — I’ve been doing at least small amounts of Japanese daily for over two months now, which is more than I’ve managed for years — and an absolutely abysmal way to learn a language.

I don’t know if that’s just because I’m doing Japanese, which, as a non-Indo-European language with a super-complicated writing system, is especially heinous. But I doubt there’s any massive difference with, say, Spanish, unless the format of the lessons is totally different, because Duolingo makes precisely zero attempt to explain anything to the user. (Including how to use the program. Maybe that would be different if I were accessing it via a web browser, but the phone app doesn’t even have a “here’s how Duolingo works” how-to.)

And yes: immersion is a way to learn a language. But immersion requires substantial commitment; five minutes a day with a phone app ain’t gonna get you there. The Japanese lessons do not tell you that there are hiragana, katakana, and kanji, and that kanji can be pronounced multiple different ways. They don’t tell you about -te forms or the difference between polite and plain speech (and they just start randomly salting the latter in eventually, so that somebody not already familiar with that concept will be looking in vain for their です option). They tell you nothing: they just fling sentences at you and assume you’ll figure it out by trial and error.

[EDITED TO ADD: Okay, so it turns out there are profound differences between the mobile app and the website. As in, the website provides short lessons, which are entirely missing from the app. And the website also gives you a way to provide feedback on a sentence or its translation, if you think there’s an error. Which doesn’t remove the problems I discuss below; those things should have been caught before this ever went live. And I am utterly croggled that the app not only doesn’t include more functionality, but doesn’t make it clear to you that there is more functionality available, because in these days of “let’s make everything mobile,” in the absence of evidence to the contrary, I assume that what I’m getting on my phone is what I’d get in my browser. But my overall impression of Duolingo is improved somewhat by knowing that lessons are available if you look in the right place, and that they do have a method of letting you go “omgwtfbbq this is wrong.” Back to the post now.]

But that isn’t what really grates my cheese. No, I have massive issue with the fact that whoever coded this appears to have no fucking clue how Japanese works.

I don’t mean the sentences are ungrammatical — though there are places where I take issue with their translations, especially when they translate one Japanese word with variant English ones, or vice versa, in ways that muddy the distinctions between the words they’re teaching you. No, this has to do with the way the app works, and the way Japanese works, and the flat-out wrong way those two things interface sometimes.

Three pieces of context, for those who aren’t already familiar: first, many of the Duolingo questions operate by giving you a sentence in either English or Japanese, and then asking you to assemble the translation from a set of pre-determined blocks. For example, I might have to select [My] [older] [brother] [is] [tall] to translate the sentence 私の兄はせが高いです. Second, as you can see from my Japanese there, the language does not natively have spaces between words; in fact, determining where to put spaces is not simple, and people don’t agree on how best to do it. And third, for Reasons, the hiragana character は is normally pronounced “ha,” but when it’s being used as a particle — a piece of grammatical equipment — it’s “wa” instead.

So that “there’s no clear system for where to break words” thing? There might not be a right way to do it . . . but boy fucking howdy are there wrong ways.

Early on in using the app, I hit an English sentence I think was something like “The book is here” — 本はここにあります, or in romaji, hon wa koko ni arimasu. Note the は there. So I start assembling the blocks of Japanese, only I can’t find ここ among my options.

Because the blocks it’s offering me are [本] [はこ] [こ] [に] [あり] [ます].

I can accept those last two, because there is (faint) merit in splitting a verb ending off from the verb stem, even if every romanization system I’ve ever seen would write that as “arimasu” rather than “ari masu.” But the beginning of that sentence is flat-out wrong. The app helpfully plays the sound for what you’re selecting, and it read out “hon” followed by “hako” followed by “ko.”

Hako means “box.”

They split the word for “here” in the middle and slapped the particle on the first half of it, turning what should have been “wa koko” into “hako ko.” And this is not the only time they’ve done crap like that. I hit one sentence in a later lesson that used the word 郵便局 (“post office”), only it was written in hiragana, ゆうびんきょく. All well and good — right up until the point where they offered me blocks saying [ゆうびんき] [ょくに行きました]. You can’t do that. Not only does it literally split the word for “post office” in half, it does so in a manner that amounts to [postof] [ficeIwentto]. That ょ can’t start a word, not when it’s shrunk down like that; the whole reason it’s shrunk down is to show that it modifies the preceding character, き. On its own, that one is “ki,” and the other is “yo.” Together, they’re not “kiyo,” they’re “kyo.” Which is a meaningfully different sound — as in you can literally change the meaning of a word by swapping one for the other.

There are lower-grade problems like this all over the Japanese lessons. Because kanji can have multiple pronunciations, 中 can be pronounced both “naka” and “chuu” (among other options) — but when the app asks you to match characters to their pronunciations, the one it provides you is “chuu,” while the voice cheerfully reads out “naka.” Yeah, ’cause that’s not going to confuse the hell out of someone who hasn’t already mastered hiragana and learned about the difference between kun’yomi and on’yomi. If I assemble the phrase for “man” in a sentence, the audio it gives me for 男の人 is “otoko no jin” instead of “otoko no hito” — the exact opposite of the 中 problem, because “naka” is the pronunciation you generally use when that character is on its own, but “jin” is the one you use in a compound word (like “gaijin”). When you put a number with a counter, you get audio like “ichi hon” instead of “ippon,” because that’s how those parts are pronounced separately, and the app doesn’t take into account the fact that together they undergo a sound change.

. . . except it does. That’s what’s so infuriating. Duolingo does a good job of hitting the same material from all the angles; it will give me English and ask me to assemble the Japanese, or the Japanese and ask me to assemble the English, or I’ll have to do listening comprehension and provide either the transcription or the translation. And when what it’s giving me is the Japanese sentence in full, it’s correct. It will say “otoko no hito” rather than “otoko no jin,” and “ippon” instead of “ichi hon.” So they have that audio. But whoever put the Japanese lessons together utterly failed to notice that, oh hey, they kept giving us wrong things whenever they break it up. (A fact that manifests in a small, mildly hilarious way any time you need to put together a negative polite verb, because the final -n is its own block, and the audio pronounces it with the kind of rising intonation you’d use when you’re asking a question — not the way you’d pronounce it as a normal verb ending.)

So basically, I find Duolingo pretty good for studying Japanese because I already know the language. I’m learning new vocabulary and getting lots of practice in things like word order, which is a thing I never really internalized very well — i.e. when you have a complex sentence, what bits of it should go before what other bits. But if you’re trying to learn from it, what it’s providing ranges from “unhelpful” to “straight-up wrong.”

I’ve sent in feedback (once I figured out how to do that; see above re: the app isn’t even helpful in telling you how to use the app), so maybe it’ll be fixed. Right now there’s only one basic Japanese course, and I’ve gone through the first level of all the lessons, so now it’s just rinse and repeat until I internalize some of this stuff. But dear god: if they want to continue with this language, they need to get their grammatical and phonetic house in order, because otherwise it’s going to be a trash fire.

Mirrored from Swan Tower.

swan_tower: (summer)

There’s a book I was almost done with and about to put on my list of Books Read — until it managed to drive me off in no time flat. And I want to post about why.

Content warning for sexual assault, including upon dead bodies. Which right there is the tl;dr of why I stopped reading, but I want to unpack the situation a bit more.

Read the rest of this entry » )

Mirrored from Swan Tower.

swan_tower: (Default)

Last night my temper snapped. I pulled up the website for every single congressional representative from Texas who voted for the atrocity they call a healthcare bill and tweeted at them — I would have emailed, but none of the ones I tried accept emails from non-constituents — telling them that they are unfit to hold public office.

Why Texas? Because I was born and raised there, and still feel ties even though as of last September I’ve lived there less than half my life. It seemed like a good place to start with my rage. I originally meant to keep going, but after tweeting at twenty-four of the two hundred seventeen Republicans who greenlit a bill that might as well be labeled We Don’t Care If You Die, I was too sick at heart to continue.

When I say they are unfit to hold public office, I mean it. They should not be voted out; they should resign before the next election even rolls around. But since I doubt most of them have enough shame left to do the right thing and step down, it’s on the people of this country to make it happen at the next opportunity. Those two hundred seventeen people have completely lost sight of what it is to be an elected official. The ideas of representing their constituents, of serving the public good, of laboring to make our imperfect union a little more perfect? That’s long gone. Some of them have admitted they didn’t even read the bill before they voted in favor of it. The rest apparently read it and were okay with the monstrous cruelty it represents. Because it isn’t about governance anymore; it’s just a great big game of sportsball, and they wanted their side to score some points. They wanted to pass something. Anything. Didn’t even really matter what it was, so long as they could be seen achieving something, marking the world as their own by pissing all over it.

Never let them forget this. Some votes don’t really matter; this one did, even if the bill dies in the Senate as it deserves. This was evil. This is a bill that, if passed, would kill countless Americans, that would make us all sicker and weaker and more vulnerable. And they didn’t care. They cheered it on, because it’s their team, and that’s all that matters anymore.

The list of names is here. I thank the 193 Democrats who voted against it, and the 20 Republicans who appear to still have a conscience or a sense of duty.

The rest of them?

Tie this millstone around their necks, and make them carry it for the rest of their lives. It’s the least they deserve.

Originally published at Swan Tower. You can comment here or there.

swan_tower: (Default)

Background, for those who don’t follow the SF/F convention scene:

A few years back, Jim Frenkel was banned from Wiscon and lost his job at Tor following complaints of persistent harassment against a number of women. More recently, Odyssey Con decided to install him as their Guest Liaison. When their Guest of Honor, Monica Valentinelli, told them that Frenkel had harassed her in the past and she felt neither comfortable nor safe interacting with him, they blew off her complaint; when she withdrew from the convention, they posted her private emails on their Facebook page without her permission, characterized her behavior as trying to “dictate” who could and could not attend the convention, assured everybody that Frenkel and another named problem are great guys, and swore that they’re totally a safe space and will handle these problems appropriately if and when they arise.

They’ve since taken down the emails and their initial statement, so Damage Control Mode is a go. But it’s too little, too late: it is already abundantly clear that they are not dedicated to dealing with harassment in a professional manner. They don’t understand privacy, safety, or basic common decency.

But there are plenty of other people dissecting the daisy-chain of failures here. I want to talk about something slightly different.

I have, in a non-convention context, dealt with a problem like this. I am on the board of an organization that received complaints of harassing behavior and assault by a member — someone I have known for years. I was not part of the group tasked to investigate the complaints, but I was one of the people who had to decide what to do after we received that group’s findings. I’m the one who wrote the email announcing our decision to the membership at large, hand-carving every word in an attempt to minimize the risk of misunderstanding or unintended implication.

It’s hard. No matter what you do, you’re going to upset somebody — and that includes doing nothing. You have to wade into the muck of information you’d rather not hear, examine your reaction to each and every piece of that information, weigh potential responses and their repercussions, and then figure out how to translate all of that into statements and actions. Then, once you’ve done that, you get to deal with the fallout. From start to finish, the whole process sucks.

Too bad. Put on your grown-up pants and do it anyway.

And if you can’t — if your reaction to a complaint is going to be to assume it’s no big deal, to let your gut guide you instead of looking at the evidence, to stick your fingers in your ears and go “la la la” in the hopes that the problem will go away and trouble you no more — then don’t put yourself in a position where you’re going to have to deal with these things. Because the days when you could just skate along and know the woman (it’s almost always a woman) will slink quietly back into her corner? Those are over. These days, if you do this bad a job of handling a known problem, you can and will be pilloried for it. And you will deserve that pillorying, because resources and guidelines for how to do better are readily available, and it was your decision not to pay attention to them.

Creating a “fun, safe, welcoming, event where fans of all kinds can come together and enjoy themselves” takes work. So do the work. Words alone are not enough.

Originally published at Swan Tower. You can comment here or there.

swan_tower: (Default)

Originally published at Swan Tower. You can comment here or there.

swan_tower: (Default)

I’ll keep this short and to the point.

The intended replacement for the Affordable Care Act is going to kill people.

It sounds melodramatic — but it’s true. It will leave an estimated 24 million Americans without insurance (compared to the ACA), which will make it extremely difficult for them to afford healthcare. It cripples Medicaid, because poor people don’t deserve to be healthy, and the Children’s Health Insurance Program, because children only matter while they’re fetuses — oh wait, insurers wouldn’t be required to cover maternity care, either. Nor birth control. Nor gynecological exams. And we all know what the right wing wants to do to Roe v. Wade. So you’re having that baby whether you like it or not, but don’t expect any support from conception until after your kid has graduated. Guess you should have kept your legs closed, bitch.

Call your elected officials. Call them until you get through, because their lines are swamped, and it may take you a while. Especially if you’re represented by a Republican in either chamber, for the love of god, call them. A number of them are already wavering; they know this is bad. But this isn’t the kind of bad where it’s okay to let it happen and let them reap the consequences later, because for them, the consequences will be that maybe they get voted out of office two or four years down the road. For other people, the consequences will literally be death. They need to hear voices telling them not to do it, before we get that far.

For the sake of the millions of people who will be hurt by this, speak up. Make your voice heard. Make a difference.

Originally published at Swan Tower. You can comment here or there.

swan_tower: (*writing)

Unless something changes in the next month or so, I will not be attending World Fantasy this year. Here’s some other people giving the background on why:

Sarah Pinsker on the issues with the program
Fox Meadows
Jim Hines
File 770 roundup

And then Darrell Schweitzer doubled down.

World Fantasy has had a number of issues over the years, but this turned out to be the straw that broke my back. As I said in my email to the concom, Schweitzer trumpets the fact that there are “smart and friendly people” at WFC; well, as a smart person, I decline to engage with a program that shows such profound ignorance of the last forty years, and as a friendly person, I decline to support the behavior of someone who doesn’t care how many people he’s alienating. He appears to believe that “PC ignorami” and “outrage junkies” are driving people away from the convention — so the only course of action I can in good conscience follow is to provide a data point in the other direction.

WFC is one of my favorite conventions, but that has more to do with the number of friends I can see there than with the convention itself. If they could update themselves to show any awareness of the genre’s development during my lifetime? That would be excellent. But so long as they’re presenting a program whose genre awareness ends at 1980, and so long as the man in charge of it thinks that women, PoCs, and anybody under the age of fifty is beneath his notice? I decline to join them.

Originally published at Swan Tower. You can comment here or there.

swan_tower: (*writing)

I needed to be doing some random stuff on the computer this morning, so on a whim, I put on the first episode of Rizzoli & Isles, which is Yet Another Police Procedural, though with two female leads.

First thing I see: a bound and terrified woman, in the clutches of an unknown villain.

Which led me to ask on Twitter, What percentage of police procedurals open their pilot ep with a woman chased, crying, screaming, or dead?

Because seriously — at this point, that is the single most boring way I can think of to open your show. Also problematic and disturbing, but even if you don’t care about those things, maybe you care about it being utterly predictable. There is nothing fresh or new about having the first minute of your police procedural episode show us somebody (usually a woman) being victimized. I said on Twitter, and I meant it, that I would rather see your protagonist file papers. I might decide in hindsight that the paper-filing was also boring . . . but in the moment, I’d be sitting up and wondering, why am I seeing this? Are the papers important? Or something about how the protag is approaching them? Because it isn’t a thing I’ve seen a million times before.

The only thing that brief clip of the victim gives us is (usually) a voyeuristic experience of their victimization. They don’t make the victim a person, an individual we get to know and care about. They rarely even give us meaningful information about the crime, except “this person died from a gunshot/strangulation/burning alive/whatever” — which is info we could easily get later in the episode, through the investigation.

There are exceptions, on a show or individual ep level. But the overwhelming pattern is: here’s some violence for violence’s sake, before we get to the actual characters and the actual story.

I decided last year that I was done with the genre of “blood, tits, and scowling.” I think I’m done with police procedurals, too. I won’t swear I’ll never watch another one, but they’ve just lost all their flavor for me, because I’ve seen so many. And because I am so very, very tired with those predictable openings.

Originally published at Swan Tower. You can comment here or there.

swan_tower: (Default)

Mary Robinette Kowal recently had nasal surgery to correct a medical problem. Being who she is (a writer, and therefore professionally interested in just about everything under the sun), she’s been posting pictures of her recovery.

She also posted this.

Here’s the thing. Remember when I fell down the stairs? (It was just three days ago; surely you haven’t forgotten.) Afterward, several friends of ours made similar jokes, about my husband pushing me down the stairs.

Why is it that, any time we hear about or see a woman injured, our minds go immediately to domestic abuse?

And why is it funny?

As Mary says, part (maybe all) of the humor comes from the absurdity of the idea: my husband would never push me down the stairs; her husband would never hit her. Anybody who knows us knows this. But at the same time . . . is it really that absurd? How many instances are there of women being abused by their husbands, when all the friends and neighbors would never dream of him doing such a thing?

It isn’t funny, because it isn’t absurd. Not nearly as much as it should be. It’s reality for far too many women. And making jokes about it — that normalizes the idea. Used to be that you got cartoons about drunk driving, the bartender pouring his customer into his car when he’s had a few too many and waving him off homeward with a cheery grin. Because that was normal. You don’t see those cartoons anymore, do you? We don’t think it’s normal to drive when you’re sauced, and we don’t think it’s funny.

We need the same to be true of domestic abuse.

By all means, joke about me falling down the stairs. Remind me that I can’t fly. Say that however much I don’t want to carry boxes, I should stop at hurling them to the bottom, and not hurl myself with them. That’s fine by me; humor is a good way to deal with a really annoying and painful situation.

But don’t joke about my husband pushing me, or Mary’s husband hitting her.

Originally published at Swan Tower. You can comment here or there.

swan_tower: (Default)

I don’t have the link, but my husband recently read me bits from an interview with or article by one of the screenwriters for the upcoming Doctor Strange movie, wherein the screenwriter referred to the character of the Ancient One as “Marvel’s Kobayashi Maru.” This is, of course, the character that recently got whitewashed by casting Tilda Swinton in the role; the screenwriter’s piece argued that it’s a situation in which there is no good solution. To wit:

1) The Ancient One is, right out of the gate, kind of a horrible racist stereotype. Mystical Asian master teaches white man the ways of magic! Yyyyyyeah, when that’s your starting point, you’re already in trouble.

2) Okay, say you don’t whitewash the role; you cast an Asian actor and just accept the fact that you’re going to perpetuate the Mystical Asian Master stereotype. The character is canonically Tibetan; you cast a Tibetan actor. Congratulations: you have just walked into a minefield, and its name is “Tibetan/Chinese politics.” China says “screw you, we’re not showing that film in this country,” and you lose out on one of the biggest markets in the entire world — a market which is pretty much necessary to make a film of this kind profitable.

3) Okay, okay, so no Tibetan actor. Cast a Chinese man instead! China’s happy! . . . at the cost of supporting China’s imperialist attitudes toward Tibet and erasing Tibetan identity.

Each one of us probably has an opinion as to which of those three options (whitewash the role and dilute the Asian stereotype; cast a Tibetan actor and eat the massive financial and political hit; cast a Chinese actor and erase Tibet) is the least of the available evils. But the fact remains that none of them are straight-up good options; up to that point, I agree with the screenwriter’s argument.

But I also look at that, and then think about the Kobayashi Maru scenario.

If you can’t win, then change the rules of the game.

For example: I’ve been told that in some versions of the Doctor Strange canon, the hero is Asian instead of white. I haven’t been able to track down a citation for that, but it doesn’t have to be previously true to be an option now; instead of whitewashing the Ancient One, racebend Doctor Strange himself. Then you may still have your Mystical Asian Master, but he’s not teaching a white man his secret ways, and you have a headlining superhero who’s a man of color. It doesn’t solve your Tibetan/Chinese political problem — plus you have to decide what ethnicity your Doctor Strange will be, which potentially carries its own complications — but it does help mitigate the problematic nature of the Ancient One himself, and his relationship with Doctor Strange.

Or my sister’s suggestion: cast a Tibetan actor as the Ancient One . . . and then re-film those scenes with a Chinese actor for the Chinese market. Sure, it’ll cost some money, but not nearly as much as losing out on the Chinese market. You’re still kind of complicit in China’s relations with Tibet, and you haven’t solved your “Asian master teaches a white man” problem (unless you combine this with the above), but it’s a potential compromise.

Or — and this is my preferred solution — get rid of the problem entirely, by getting rid of the Ancient One.

Jettison the inherently problematic baggage you inherited from previous versions of canon and come up with something better. Sure, the fanboys will wail and gnash their teeth — but whatever, they can suck it up. They already understand that there can be multiple different canons, sometimes with wildly divergent stories for how the hero got his powers; let this be another. Give Doctor Strange a different origin story, one that isn’t founded on a horrible racist stereotype. Change the rules of the game. Play something better.

I think the screenwriter did a good job of outlining the dimensions of the box they were stuck in. I just wish he and the director and the producer had realized that they didn’t have to be in the box — that they had the power to bust out of it entirely. It would have been better than the route they went.

(And Scarlett Johansson as Major Kusanagi? There is no goddamned excuse.)

Originally published at Swan Tower. You can comment here or there.

swan_tower: (*writing)

Depending on which corners of the internet you’ve been paying attention to today, you may or may not have seen the useless and offensive piece of garbage that is the harassment policy for World Fantasy this year. It translates to “unless you are subjected to a criminally prosecutable instance of harassment, we’re not going to do anything about it. Play nice, guys!”

This is unacceptable.

And I’ve told the con runners as much. It’s barely a week and a half to the con; their ability to fix it is, at this point, limited. But they can at least do something. Me, I can’t get a refund on my plane ticket or my convention membership, so that cost is sunk. But if nothing improves by the time I get there, then I will not participate in programming — and I have told the con runners as much.

Because here’s the thing. It turns out I’m actually on two panels, not one; when I posted my schedule yesterday, the second one had vanished from the program, but it’s back now. That panel? Is on violence. And I simply cannot stomach the irony of sitting behind a microphone talking about violence, while knowing the event I’m attending has abdicated its responsibility to protect the safety of its attendees.

This isn’t rocket science. Many other cons have instituted policies against harassment and procedures to enforce same. I’m serving on the board of an organization that is, right now, dealing with a very complex allegation of harassment. I know what a good policy looks like, and this is so far from that, you’d need a telescope to see it from here. Their excuses for why they can’t do better are laughable. Their failure to even communicate this so-called “policy” to all of their staff is indicative of massive dysfunction. And if they didn’t see this storm coming, they’ve been willfully blind.

I will not support this kind of crap by lending my voice and my thoughts to their program. If they fix it, I’ll go on as scheduled. If they don’t, I’ll be in the bar. And we can have a nice chat about how “violence” doesn’t always involve blood.

Originally published at Swan Tower. You can comment here or there.

swan_tower: (Default)

My husband and I are finally caught up on both Arrow and The Flash, which means I can finally make the post I’ve been drafting in my head for a while. The following contains mild spoilers for both shows, as well as Daredevil. It also contains a fair bit of complaining about how much The Flash disappointed me, so if you really love it and don’t want to see someone dissect its flaws, you may not want to click through.

Read the rest of this entry  )

Originally published at Swan Tower. You can comment here or there.

swan_tower: (Default)

I don’t know why, but recently I’ve been seeing posts around the internet about intent and its role in harassment/discrimination/etc which, to my eye, are throwing the baby out with the bathwater.

I am 100% on board with the “intent is not magic” message. If you hit me in the face, then my face hurts, regardless of whether you did maliciously or by accident because you turned around to throw something and didn’t realize I was right behind you. Your good intentions don’t erase the pain and give me a magically unbroken nose. And if your intentions were good, then the proper reaction to finding out that you hurt someone else should be to feel horrified and apologize for what happened. If you get defensive? If you bluster on about how you didn’t mean to like that changes what happened? Then you’re doing it wrong.

(This example is actually not theoretical for me. During the karate seminar in Okinawa, I accidentally rammed somebody in the cheekbone with the end of my bo while trying to slide it out of the way for people to sit down on a bench. I felt terrible, to the point where even now, nine months later, I want to apologize to her again. And I wish I spoke more than ten words of German, so a language barrier wouldn’t have gotten in the way of my attempt to make amends.)

But what I am not on board with is an actual sentence I read the other week, which is: intent doesn’t matter.

It does.

Intent doesn’t erase the damage, no. But it goddamned well ought to inform what happens next. If you hit me in the face by accident and were mortified the instant it happened, then I don’t need to lecture you on how hitting people in the face is bad: you already know that, and just need to be a little more careful. If you hit me in the face because you weren’t aware that face-hitting hurts, then somebody needs to explain that basic point to you, and you need to take a good hard look at your habits to figure out what things you’re doing are likely to result in face-hitting. If you hit me in the face because your society says, yeah, face-hitting hurts but it’s totally okay so long as it’s done to the right targets, then you need to rethink not just your habits but your morals, and the change needs to be not just to you, but to the cultural environment that taught you to behave that way. And if you hit me in the face because you hate my guts and want to see me hurt . . . then I need to get the hell away from you, because the odds that any positive change can be effected there are nil.

In all of these cases, my face still hurts, and you should still apologize. And maybe I’ve been hit in the face enough that for my own well-being, I need to get the hell away from you without pausing to find out whether that was just an accident. But to say that intent flat-out does not matter — to say that there’s no point in figuring out the causes behind actions — that, to me, is taking the point waaaaaaaaaaaaay too far. (And both “intent doesn’t matter” and “I don’t see why we should figure out motives” are actual arguments I’ve seen in the last week or two. I’ve debated whether I should include links, but I decided I’d rather keep the focus on the concepts, rather than the people promoting them — especially since one of those posts was not recent, and for all I know the writer has changed their views.)

The minute we give up on intent, we treat every injustice done to us as a nail, to be hit with the exact same hammer. And that’s not going to get you very far with screws or rubber bands.

We should not put intent above the effects of a hurtful action. We should not act like it’s a magic shield against responsibility for your actions, and the person who was hurt should stop whining already. But we shouldn’t throw it out entirely, either, and it disturbs me to see people saying we should.

EDITED TO ADD: From Mrissa in the comments, an excellent link that says this better than I did, including the concept that “intent is data.” And data is useful.

Originally published at Swan Tower. You can comment here or there.

swan_tower: (summer)

The other day on Twitter, I commented about the absence of women from a book I was reading. Because Twitter is no place for long explanations or nuanced discussions, and also because I was about to go to karate and didn’t want to start a slapfight with fans of the book that might pick up steam while I was busy, I declined to name it there — but I promised I would make a follow-up post, so here it is.

Before I actually name the book and start talking about it, though, two caveats:

1) If you are a fan of the novel in question, please don’t fly off the handle at the criticism here. This is not meant as an attack on the author (who is, by everything I know of him, a really good guy), nor an attack on you for liking it. In a certain sense, it isn’t even an attack on the novel. I’m dissecting this one in great detail not because it’s The Worst Book Ever (it isn’t), but because it’s a really clear example of a widespread problem, and one that would have been trivially easy to fix.

2) Please don’t answer my points here by saying “well, in the second book . . . .” This thing is 722 pages long in the edition I read. That is more than enough time to do something interesting with female characters. I would be glad to know if the representation of women improves later on — but even if it does, that doesn’t change my experience of this book. It stood alone for four years, until the sequel was published. It can be judged on its own merits, and what comes later does not negate what happened first.

Okay, with all of that out of the way (and maybe the caveats were unnecessary, but) . . . the book in question is The Name of the Wind, by Patrick Rothfuss.

Read the rest of this entry » )
swan_tower: (*writing)

The other day on Twitter, I commented about the absence of women from a book I was reading. Because Twitter is no place for long explanations or nuanced discussions, and also because I was about to go to karate and didn’t want to start a slapfight with fans of the book that might pick up steam while I was busy, I declined to name it there — but I promised I would make a follow-up post, so here it is.

Before I actually name the book and start talking about it, though, two caveats:

1) If you are a fan of the novel in question, please don’t fly off the handle at the criticism here. This is not meant as an attack on the author (who is, by everything I know of him, a really good guy), nor an attack on you for liking it. In a certain sense, it isn’t even an attack on the novel. I’m dissecting this one in great detail not because it’s The Worst Book Ever (it isn’t), but because it’s a really clear example of a widespread problem, and one that would have been trivially easy to fix.

2) Please don’t answer my points here by saying “well, in the second book . . . .” This thing is 722 pages long in the edition I read. That is more than enough time to do something interesting with female characters. I would be glad to know if the representation of women improves later on — but even if it does, that doesn’t change my experience of this book. It stood alone for four years, until the sequel was published. It can be judged on its own merits, and what comes later does not negate what happened first.

Okay, with all of that out of the way (and maybe the caveats were unnecessary, but) . . . the book in question is The Name of the Wind, by Patrick Rothfuss.

Read the rest of this entry � )

Originally published at Swan Tower. You can comment here or there.

Profile

swan_tower: (Default)
swan_tower

April 2025

S M T W T F S
  12345
67 89101112
1314 1516171819
20 212223242526
27282930   

Syndicate

RSS Atom

Most Popular Tags

Style Credit

Expand Cut Tags

No cut tags
Page generated Apr. 23rd, 2025 11:48 am
Powered by Dreamwidth Studios