Swan Tower

Last weekend @hannah_scarbs asked on Twitter whether I had the soundtracks to my novels on Spotify. To which the answer was no — but now it’s yes, because that made me realize that putting them up there is an eminently sensible idea. Of course not everything is available on that service (in particular, all of the Battlestar Galactica scores are absent, and I’ve drawn heavily on those over the years), but the vast majority were there! So if you want to know what my soundtracks sound like, now you can give ’em a listen. And if you want to know what each track maps to, I’ve also linked to that information for each book.

• A Natural History of Dragons / track listing
• The Tropic of Serpents / track listing
• Voyage of the Basilisk / track listing
• In the Labyrinth of Drakes / track listing
• Within the Sanctuary of Wings / track listing
• Midnight Never Come / track listing
• In Ashes Lie / track listing
• A Star Shall Fall / track listing
• With Fate Conspire / track listing
• Cold-Forged Flame / track listing
• Lightning in the Blood / track listing
• Lies and Prophecy / track listing
• Chains and Memory / track listing

Marie Brennan
P.O. Box 88
San Mateo, CA 94401

If you’re in the Bay Area, don’t forget: I’m reading at Borderlands Books tomorrow, at 3 p.m.! (On Independent Bookstore Day, no less.) And I will have some very special news to announce . . .

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I think one of the things I’ve enjoyed most about writing the Memoirs of Lady Trent is the way it gave me a reason to shore up some of the gaps in my knowledge.

Take African history for example. If all you had to go on was my high school education, you’d think that it consisted of human evolution, Egypt, and the slave trade, with nothing in between. (Nothing after, either, but that wasn’t a regional bias; my history classes bogged down on the Civil War and Reconstruction, so that the twentieth century is as the void to me.) I had the vague osmotic sense that there had been a place called Songhay, and that was it.

I could have fixed that at any time. But I’m much more likely to pursue reading about a topic when I have an immediate use for it — something beyond “man, I really ought to know more about X.” It’s pretty well-documented that we learn things better in context, rather than in isolation, and a writing project gives me context. A globe-trotting protagonist was therefore ideal, because she dragged my thoughts in all kinds of new directions, laying the foundation for future exploration. (Solaike in the upcoming Lightning in the Blood draws a lot of its social structure from Dahomey; that probably wouldn’t have happened without The Tropic of Serpents first.)

Islam is another good example. In college I took classes on early Christianity (which also means you wind up learning a decent bit about Judaism) and Hinduism, and some of my Japanese history classes touched on Buddhism and to a lesser extent Shinto, but Islam? Terra incognita for me. Sending my characters to Akhia was the kick in the pants that I needed to read up on it, to make myself conversant with at least the basics. I could have read a Wikipedia article to learn the difference between Sunni and Shiite, but it was easier to retain details when I had a reason to devote dedicated work time to the question. I wouldn’t call myself deeply well-informed on Islam now, but at least I’m not flat ignorant anymore.

Thanks to this series, I know more about Polynesia and how you can locate a flyspeck of land in a thousand miles of empty sea. I know some of the dynamics behind and resulting from Tibetan polyandry. And as I said on the Tor/Forge blog, I’ve learned piles about different kinds of climates and how people live in them.

This is one of my favorite aspects of my job. It’s constantly giving me reasons to learn new things, and I feel richer as a result.

Originally published at Swan Tower. You can comment here or there.

More than six years ago, in January of 2011, I sent my agent the pitch for the Memoirs of Lady Trent. It consisted of thirty thousand words from the first book and a document approximately three thousand words long describing the setting and the plots of the various novels. Because I am crap at outlining, while those latter synopses bear some resemblance to the final story, it’s very obvious in hindsight that I was just waving my hands in an attempt to make it look like I knew where was going . . . and nowhere is that clearer than in the figure of “Lord Trent,” i.e. Isabella’s husband.

Here there be spoilers. (Up through In the Labyrinth of Drakes, though I’d say the only really bad spoiler is for A Natural History of Dragons. If you haven’t yet read Within the Sanctuary of Wings, you’re in the clear.)

( Read the rest of this entry » )

Originally published at Swan Tower. You can comment here or there.

In the never-ending attempt to keep my stock of author copies under control, I’m offering up three copies apiece of Voyage of the Basilisk and In the Labyrinth of Drakes. You’ve got about three days left to enter!

Also, I’m still looking for icons! Renewing the call not because I haven’t been offered a good selection, but because I want to give more people a chance to win the two Advance Reader Copies of Within the Sanctuary of Wings. Get your image manipulating on and maybe get a book!

Originally published at Swan Tower. You can comment here or there.

I’ve recently been reminded that the Hugo Awards are test-driving a new category, this one for “Best Series”:

…a multi-volume science fiction or fantasy story, unified by elements such as plot, characters, setting, and presentation, which has appeared in at least three volumes consisting of a total of at least 240,000 words by the close of the calendar year 2016, at least one volume of which was published in 2016.

Because I’d forgotten about this, I didn’t think to mention explicitly in my eligibility post that The Memoirs of Lady Trent qualify: the series is now four books long and roughly 370,000 words, and In the Labyrinth of Drakes came out in 2016.

Although I understand protests about the proliferation of award categories, I have to admit I’m glad to see this one added. A lot of SF/F work is done in series format, and delivering a good series is its own kind of challenge. I can read a bunch of books that aren’t individually the best books of their years, but the work in aggregate winds up being really memorable and satisfying, so I like the notion of having a way to recognize that fact. But I hope the final wording of the category, if it stays in, includes something about how a series that wins becomes ineligible for nomination thereafter; otherwise we may end up with a revolving-door situation where a small number of popular series win over and over again as their new installments come out.

Originally published at Swan Tower. You can comment here or there.

A whole bunch of audio links have piled up in my inbox lately, so here — have things to listen to!

I’ve raved before about how awesome a narrator I have for the Memoir audiobooks. But if you haven’t checked them out, and need to hear just how fabulous Kate Reading is, here’s an excerpt from In the Labyrinth of Drakes. It’s spoiler-free, so if you haven’t caught up with the story yet, don’t worry about hearing anything you shouldn’t.

If you’d like to hear me reading from Cold-Forged Flame, the Varekai novella coming out this September, here’s a recording from SF in SF. My reading starts around 36:30, after M. Thomas Gammarino, and then there’s a Q&A after.

While I was in San Diego for Mysterious Galaxy’s birthday bash, I recorded with the Geekitude podcast, which is posted here. My segment starts at the hour and twenty-two minute mark, and we discuss a host of things, ranging from what it’s like to wrap up the Memoirs, to hitting your thirties and not being made of rubber anymore, to RPGs and my experiences with them.

Here’s a brief video interview I did with ActuSF during Imaginales. The questions are entirely in French — my interpreter, Hélène Bury, was translating them for me, but too quietly for the camera to pick up — but I answer in English, before Hélène translates it for the camera.

I don’t have a fifth thing. Curse the internet for establishing that five things make a post! We’ll have to be satisfied with 80% of a post instead.

Originally published at Swan Tower. You can comment here or there.

It’s been just two days since the release of In the Labyrinth of Drakes, and already I have stuff I should link to!

First of all, I’m up at Tor.com with a nonfiction post titled “Learning to See Through Photography”, where I talk about how I went from taking really crappy pictures of my camp friends to displaying selling prints at Borderlands.

I also set a land-speed record for time elapsed from drafting a post to it going live on someone else’s site: around midnight I started writing a requested post about dragons (riffing off the panel I was on this past FOGcon) and sent it off to my UK publicist at about 1:30 in the morning. By the time I went to bed at 3, it had already been posted to SFF World! Talk about quick turnaround . . . .

And I know I linked to this before, but I should mention again that “From the Editorial Page of the Falchester Weekly Review” went live on Tuesday. You don’t need to have read the Memoirs to understand the story, nor does it contain any real spoilers.

But! Speaking of Borderlands!

This Saturday, at 3 p.m., I will be doing a reading and signing. It will be lonely without Mary Robinette Kowal — come keep me company! :-) (And come see my pretty photos on the wall!) After that, I’m doing two other tour stops in the immediate future:

Monday, April 11th, at 7 p.m., I will be at the Powell’s Bookstore in Beaverton, in the Cedar Hills Crossing mall.

Tuesday, April 12th, also at 7 p.m., I will be at the University Bookstore in Seattle — in company with a certain artist. So if you want to get your books signed not only by me, but by Todd Lockwood, this is your chance to do both at once!

Further plans include Mysterious Galaxy in San Diego for their “birthday bash” on May 7th, the Bay Area Festival of Books in June, and in between those things, my Very First International (Non-Convention) Appearance at Les Imaginales in France. I don’t know whether any of my European readers will be able to make it there, but if so, I’d love to see you!

Originally published at Swan Tower. You can comment here or there.