Nature details: how do???
Oct. 5th, 2020 04:01 pmI have a confession to make: I grew up in suburban Dallas, and I simply Do Not Grok Nature.
On the metric of effort-to-result, putting details about nature into my stories is probably one of the most labor-intensive things I do. And I don't even mean long, rapturous passages of lyrical description about fog creeping over a pond at dawn or something like that; I mean that unless I make a conscious decision to go do some research, my characters walk through forests of Generic Trees, listening to Generic Birds make Generic Noises. When I do the research, it winds up being half an hour of effort for half a sentence of result.
I'm making an effort to improve at this, and having discussed it with some writers, I think a large chunk of what I need is simply better resources for the information, or better ways of finding the resources. Field guides are helpful, but even more helpful are books or websites that talk holistically about a specific landscape, so that I get integrated information like "down by a watercourse you'll see these trees and these birds and these flowers," rather than separated lists of all the trees found in a region, and all the birds, and so forth. I feel like this is relatively findable for the United States, but much harder for other parts of the world, especially non-Anglophone parts. Any recs for such things? I mostly use this for secondary-world purposes rather than this world, but I'd love to be able to have characters ride across grasslands that look more like Mongolia than Nebraska, or cope with environments like tropical jungles that we mostly don't have here. Could be formal field guide-type stuff, or just somebody writing with really evocative specificity about not just the mood of a place, but the specific flora and fauna to be found there and how they behave.
(I know one bit of advice is "get out there in the naturez yourself!," but that would mostly only help me learn to write about the northern California landscape. I do get out in the naturez, but I can't just go hang out in Mongolia whenever I want.)
On the metric of effort-to-result, putting details about nature into my stories is probably one of the most labor-intensive things I do. And I don't even mean long, rapturous passages of lyrical description about fog creeping over a pond at dawn or something like that; I mean that unless I make a conscious decision to go do some research, my characters walk through forests of Generic Trees, listening to Generic Birds make Generic Noises. When I do the research, it winds up being half an hour of effort for half a sentence of result.
I'm making an effort to improve at this, and having discussed it with some writers, I think a large chunk of what I need is simply better resources for the information, or better ways of finding the resources. Field guides are helpful, but even more helpful are books or websites that talk holistically about a specific landscape, so that I get integrated information like "down by a watercourse you'll see these trees and these birds and these flowers," rather than separated lists of all the trees found in a region, and all the birds, and so forth. I feel like this is relatively findable for the United States, but much harder for other parts of the world, especially non-Anglophone parts. Any recs for such things? I mostly use this for secondary-world purposes rather than this world, but I'd love to be able to have characters ride across grasslands that look more like Mongolia than Nebraska, or cope with environments like tropical jungles that we mostly don't have here. Could be formal field guide-type stuff, or just somebody writing with really evocative specificity about not just the mood of a place, but the specific flora and fauna to be found there and how they behave.
(I know one bit of advice is "get out there in the naturez yourself!," but that would mostly only help me learn to write about the northern California landscape. I do get out in the naturez, but I can't just go hang out in Mongolia whenever I want.)
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Date: 2020-10-05 11:25 pm (UTC)no subject
Date: 2020-10-06 06:46 pm (UTC)no subject
Date: 2020-10-05 11:25 pm (UTC)I'd look for travel writing about/from your target regions. Is Mongolia a theoretical or a relevant example?
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Date: 2020-10-05 11:34 pm (UTC)no subject
Date: 2020-10-06 12:29 pm (UTC)Another great source is Flickr. I have, in fact, planned holidays on Flickr, just typing in my destination and seeing what people thought was notable and should be seen. Again, it's about the personal touch and unique angles.
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Date: 2020-10-06 06:51 pm (UTC)no subject
Date: 2020-10-06 06:58 pm (UTC)...if you ever want me to talk you through typical Korean plants, I can tell you about it/rec a book on Korean gardens.
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Date: 2020-10-06 07:09 pm (UTC)no subject
Date: 2020-10-10 12:30 pm (UTC)The distribution of animals and flowers are things I can research otherwise. But it's one thing to know that a place has snakes (and which ones they are) and another to see the shedded skin in a tree; it's one thing to know there are spiders and another to learn how prevalent bright black-and-yellow spots in webs are everywhere you walk or how many of them there can be in a single location. Guides give me 'this area grows flowers commercially' and probably which species they are; Flickr gives me that they're grown in long thin strips, that there are flower-watching bus tours, and that growers seem to live stream flower cams. Research gives me 'there's a local cheese industry' and 'cows are kept indoors'; Flickr gives me 'they make hay in round bales and someone stuck a face on last year's bale'.
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Date: 2020-10-06 06:49 pm (UTC)no subject
Date: 2020-10-06 07:55 pm (UTC)But I totally get what you're saying about winnowing and the difficulties thereof. FWIW, at least from what I've found, focusing on rural travel and memoirs is helpful for getting more of the kind of thing you're looking for; you want hippie-ish types who talk about the landscape a lot. In other words "my childhood running wild on an island off the coast of Scotland" would be a lot more useful for natural ambiance than "my childhood in Edinburgh."
There's also recent archaeological and historical writing - obviously not without potential colonialist issues and written by outsiders, but ... like, say, I just read a book that gave me a richly vivid picture of the jungles of Honduras through an outsider's eyes (City of the Monkey God), including a lot of specifics about what it smells and sounds like.
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Date: 2020-10-06 06:48 pm (UTC)no subject
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Date: 2020-10-05 11:55 pm (UTC)no subject
Date: 2020-10-06 06:51 pm (UTC)no subject
Date: 2020-10-06 06:56 pm (UTC)OTOH, the one area where I am utter ass is architectural terminology, because I never picked it up in English. Among other things, Seoul is like wall to wall high-rises/brutalist architecture, so not much to see (because everything got flattened during the war), and on the occasions my parents discussed architecture it was in...Korean.
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Date: 2020-10-06 07:06 pm (UTC)no subject
Date: 2020-10-06 07:13 pm (UTC)no subject
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Date: 2020-10-06 12:00 am (UTC)no subject
Date: 2020-10-06 06:52 pm (UTC)no subject
Date: 2020-10-06 12:41 am (UTC)* Contra the idea I got from Charles Mann about parklike forests needing human fire to cull undergrowth, he says *real* old growth forests also don't have much undergrowth -- not enough light reaches the lower level. I guess that matches tropical forests too. Also the light that reaches the floor is heavy in green wavelengths, not useful for plants, since the canopy filtered out all the good stuff. Which implies something about what the light looks like, too.
* Beeches are smooth, so in storms water runs down the trunk and carries electricity, you don't see much damage from lightning strikes. Oaks have rough bark, lots of interruption, lots of damage. Maybe this is why they're associated with Zeus and Thor?
* IIRC beeches are the big climax species for where he is. Ideal tree for an ideal central European environment; beech crown catches 97% of light.
* Seasons: young trees leaf earlier and hold on to them longer, trying to get an edge on the older trees around them that otherwise shade them out. (Deciduous, obviously.) Plus it's warmer near the ground, so they can afford to.
* Alder trees are nitrogen-fixers, so they drop their leaves still green; the trees are so rich in nitrogen that they don't need to bother reclaiming the chlorophyll.
* Microclimate (I recall this from a AMNH diorama too): shade and evaporation mean temperatures and humidity can be very different from outside the forest; he said 48 F on a forest floor when it was 98 F outside!
* Forests can pass along water vapor further inland than it would otherwise go, but that requires continuity; if you log the coasts the interior dries up.
* Healthy trees grow straight up, not bent or forked; those shapes indicate something went wrong, and probably also limit lifespan, as a bad weight distribution will come down in a bad storm.
* I don't have notes, but dim memory says willows grow along rivers -- Old Man Willow! -- and don't expect to live long, because of a high chance of getting washed out at some point. I remember a fair bit of discussion of the effect of "once in a century" events on trees in general, but have no notes.
So I thought to check the Hobbit, remembering beeches, and Tolkien loooooved trees:
About four days from the enchanted stream they came to a part where most of the trees were beeches. They were at first inclined to be cheered by the change, for here there was no undergrowth and the shadow was not so deep. There was a greenish light about them, and in places they could see some distance to either side of the path. Yet the light only showed them endless lines of straight grey trunks like the pillars of some huge twilight hall.
:O No undergrowth, greenish light...
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Date: 2020-10-06 06:31 am (UTC)Source: growing up in Germany with lots of beech forests, lots of deer, and a fair amount of acid rain, which I've also researched.
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Date: 2020-10-06 06:53 pm (UTC)no subject
Date: 2020-10-06 11:31 pm (UTC)I *think* this is right: branches don't move up as a tree grows. If a tree has a high crown and no lower branches, with a smooth trunk, it's because all the older and lower branches fell off and the scars got healed over.
I'm pretty sure this is useless, but the original flowering plant was probably a true tree. So all those woodless wildflowers and dandelions and grasses are basically ex-trees that lost the mechanism of secondary growth. Within that non-tree flowering group are the monocots, which then re-evolved a tree-like lifestyle 5 different times (one of which is the palm trees.)
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Date: 2020-10-06 01:48 am (UTC)Weirdly, this triggered a strong defensive reaction in me. Probably because I have met few people who know what Nebraska actually looks like. (It’s not really totally flat. That would be North Dakota, which still hasn’t recovered from getting repeatedly run over by Ice Ages.)
I have the orthogonal problem of having trouble describing a city that doesn’t look like a contemporary Midwestern/Great Plains city. I’ve been slowly collecting resources, but at times I feel like I’m just compiling the ways I am unimaginative.
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Date: 2020-10-06 06:56 pm (UTC)Interesting on the city thing! I think that writing the Onyx Court books meant my brain got stamped pretty hard with central London. I'm not sure I've yet written anything in a city that looks like Dallas. (Then again, I write relatively little set in modern cities anyway.)
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Date: 2020-10-06 11:40 pm (UTC)I'll nominate where I lived in Osaka for 3 months, where the streets are 1 lane wide, yards are nearly non-existent, blocks are short along at least one dimension, and population density is probably high (but not crowded) even with two story buildings. https://www.google.com/maps/place/2-ch%C5%8Dme-24-27+Tenn%C5%8Djich%C5%8Dkita,+Abeno-ku,+Osaka,+545-0001,+Japan/@34.6449179,135.5207099,17z/data=!3m1!4b1!4m5!3m4!1s0x6000dde1822305c5:0x4c0dcf83c887a6e5!8m2!3d34.6449179!4d135.522904
Also note the profound lack of car parking by US standards.
What Street View wouldn't tell you is how many bicycles there are; one source says Osaka has 25% mode share by bicycle, and my experience was getting passed by like 6 bikes a minute as regular experience. No helmets. It's basically Dutch biking, except along fast roads bikes just use the sidewalk rather than having protected bike paths.
(Per a recent paper, crowding is defined as people per room. Japanese houses or rooms are often small by US standards, and people per km2, high, but they're not jamming lots of people into a bedroom any more than we are.)
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Date: 2020-10-06 11:23 am (UTC)no subject
Date: 2020-10-06 07:00 pm (UTC)no subject
Date: 2020-10-06 05:04 pm (UTC)The other thing is to read not just travel writing but nature writing. Good nature writing doesn't just superficially describe the landscape details but gets into the flow and poetry of the world--the emotions the landscape evokes. Robin Wall Kemmerer, as mentioned above, but also Mary Austin, Luis Alberto Urrea, Ed Abbey, and others (yes, Abbey has problematic points of view--multiple--but when it comes to describing landscape and drawing the reader in, he's also damned good). Also look at LeGuin and see how she portrays landscape.
It's not just about the details but the emotions that the land evokes in someone living on it. Steinbeck is another writer who portrays those emotions well.
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Date: 2020-10-06 07:00 pm (UTC)Thanks for the writer recs! I just wish I could find more people writing (in English) about places not in the U.S.
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Date: 2020-10-06 07:33 pm (UTC)no subject
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Date: 2020-10-06 07:05 pm (UTC)no subject
Date: 2020-10-06 07:05 pm (UTC)no subject
Date: 2020-10-09 08:27 pm (UTC)Stephen Bodio,
(Mostly USA,Mongolia).
(*Falconry*!!, with Eagles,sight-hounds)
Gerald Durrell,(silly, catching animals around the world)
Gavin Maxwell,(people of the reeds)(and Scotland)
Jim Corbett, (India)
Alfred Russel Wallace
(The Malay Archipelago)
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Date: 2020-10-10 01:39 am (UTC)But...maybe natural history sites in general?
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Date: 2020-10-10 12:55 pm (UTC)