So. much. TV.
Sep. 13th, 2017 12:12 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
I watch a surprisingly large amount of TV these days, because there is so much out there, and so much of it good. But I wind up almost never posting about any of it, because I have all these thoughts and then I don’t get around to writing the big long in-depth post. In lieu of that, have scattershot thoughts about things I’ve watched in the last year.
* I didn’t like the second season of Supergirl quite as well, due in part to me having zero interest in Mon-El. But man, that show is not remotely shy about wearing its politics on its sleeve, with episode titles like “Resist” and “Nevertheless, She Persisted” and plots about protecting resident aliens from attempts to deport them. So even though they have the occasional episode where everybody is phenomenally stupid in order to give Mon-El a chance to look smart (seriously, that one was so bad), it is balm to my soul.
* Frequency has hooked me surprisingly fast, with some good dialogue and a clever twist on what might otherwise be a bog-standard serial killer investigation plot: because the SFnal conceit is that the cop heroine is in communication with her cop father twenty years in the past, when she has him follow up on a lead, half the time she winds up changing the evidence out from under her own feet, e.g. going to a suspect’s house only to find out that in the new timeline he moved away nineteen years ago. Also, it turns out to be based on a film — but among other changes, they turned the father/son setup into father/daughter instead. Woot! Sadly, because everything I like gets canceled, there’s only thirteen episodes of it. (Currently we’re seven in.)
* The Defenders was decent, but distinctly uneven, in no small part because my god Danny Rand is just. not. interesting. (As I said on Twitter a while back, Iron Fist bored me so intensely that I didn’t even get far enough in to hit the unfortunate racism.) And unfortunately, he’s kind of at the center of the plot. On the other hand, watching the script take the piss out of him at absolutely every opportunity was kind of entertaining. And you could make a fabulous montage just of the reaction shots from Luke Cage and Jessica Jones.
* I have no idea what they’ll do with the second season of The Good Place, but dude, somebody made a comedy show ABOUT ETHICS. Like, actual philosophical discussions of what constitutes ethical behavior and how the various models of that differ. I am so there. Again. (I can’t believe it got a second season.)
* The Musketeers is far more entertaining than I expected it to be (though admittedly, my expectations went up when the opening credits told me it had Peter Capaldi). Of course it bears only a general relationship to the novel, being an episodic TV series, but it doesn’t have to warp the concept too far out of shape to work; the basic engine is the running political conflicts between the King’s Musketeers and the Cardinal’s Guards, with invented incidents to keep that rolling along. Capaldi is an excellent Richelieu, obviously scheming and ambitious without being a one-note villain (sometimes he and the Captain of the Musketeers work together). And the episodic format gives them some time to explore the individual characters. Much to my surprise, Porthos — usually my least favorite of the set — is really good here, in part because the actor is black and that is relevant to the character’s life story. A Porthos with depth, rather than just being the drunken comic relief? What is this madness??? Also, it’s doing reasonably well by its female characters, including making sure that the invented incidents have women in them, so you’re not limited to the recurring trio of Constance, Milady, and the queen. Yeah, okay, so I’m pretty sure Constance bears only the most passing resemblance to her novel incarnation — but since I like this version of her and have no particular attachment to the novel incarnation, I’m fine with that.
* Ascension was interesting, but flawed. Basic concept: A generation ship got sent out in the ’60s and is now halfway through its 100-year-journey, with tensions rising. The worldbuilding was intriguing, even as I wanted to beat characters about the head for some parts of it (seriously, who thought class stratification in a society that small and enclosed was a good idea?), but the end felt like it was a cliffhanger for a season 2 that, as near as I can tell, not only doesn’t exist but was never intended to.
* I feel like the seventh season of Game of Thrones was distinctly better than the sixth, transit time silliness notwithstanding. It registered on me as a better balance of major plot movement and the little dyadic interactions, which have always been one of the show’s strong points: the writers’ ability to put two characters together and have a fabulous scene happen, whether the flavor is hilarious banter or a flaming train wreck. Plus, Olenna Tyrell may have claimed the title of Most Badass Moment for the entire series. I mean, it was horrible. But it was also this phenomenally powerful, vicious interaction that played out as a quiet conversation between two people alone in a room, without any action spectacle whatsoever. Kudos.
* I enjoyed the first season of Lucifer, but the second took off like a rocket. Seriously, were the writers on a sugar high all season long? They just cranked everything up to eleven, and the result came to life for me in a way the earlier episodes hadn’t. I’m sad they lopped off the last couple of episodes to put them on the beginning of season three, because it meant I got less of what I was enjoying last spring, but from a narrative standpoint I can absolutely see why they did. That comes back in a few weeks and I’m looking forward to it.
* Also, more of The Librarians. One of the few things I fell in love with that hasn’t gotten canceled, even if I don’t think the third season was quite as good.
Has anybody else been watching these? Any recs for shows you’ve been enjoying? I’m primarily interested in stuff that is either SF/F or historical, and skewed more toward the “fun” end of the spectrum than gritty greasy grimdark. I am almost completely burned out on police procedurals, unless they’ve got a strong metaplot or a substantial twist from the usual model.
Originally published at Swan Tower. You can comment here or there.
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Date: 2017-09-13 07:28 pm (UTC)no subject
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Date: 2017-09-14 12:24 am (UTC)I was just talking to
Frequency is very appealing to me; of course it's dead. I have been hearing good things about The Musketeers and especially Porthos for a couple of years now. I believe it's supposed to be complete.
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Date: 2017-09-15 06:23 pm (UTC)no subject
Date: 2017-09-14 12:24 am (UTC)One of my friends has been raving on about Killjoys, both because of plot but also because it is non-grimdark and features tons of lgbt representation-- it's probably next on my watch list.
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Date: 2017-09-14 01:10 pm (UTC)no subject
Date: 2017-09-14 11:35 pm (UTC)(I don't think I've heard it described as fluffy...?)
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Date: 2017-09-15 06:24 pm (UTC)no subject
Date: 2017-09-14 02:49 am (UTC)Also, the first season of Musketeers was amazing. The next two...not so much. Enjoy the first, and don't worry about the rest.
If you have not watched Sense8, it is phenomenal--and got cancelled at the end of the second season, leaving a major cliffhanger. Supposedly there is a movie in the works to wrap it up, but I'm not sure that will happen. Still, it is a wonderful, wonderful show.
*waves* Here because I read and loved Lady Trent's memoirs and very much enjoyed Onyx Court 1. Planning to read the rest, soon.
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Date: 2017-09-15 06:26 pm (UTC)I've watched a few eps of Wynonna Earp, but wasn't paying close enough attention to really follow the dialogue; I think I need to start over from the beginning and give it a better shake.
Good to know about later seasons of The Musketeers, thanks.
Sense8 was an awesome concept and awesome characters, but the pacing drove me up the wall. And from what I've heard, the glacial approach continues through the second season. I just wasn't hooked enough to stay interested without more forward movement on the metaplot.
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Date: 2017-09-14 10:06 pm (UTC)Edit: It sounds like a band name, put like that.
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Date: 2017-09-15 12:16 am (UTC)I would listen to that band.
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Date: 2017-09-15 06:26 pm (UTC)no subject
Date: 2017-09-15 04:31 pm (UTC)Definitely looking forward to season 2 of The Good Place.
I just got into iZombie; after watching the first couple episodes a year ago or so and not getting into it, I gave it a second chance a couple weeks ago and was surprised how much more involving it gets after the first two episodes.
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Date: 2017-09-15 06:28 pm (UTC)iZombie's core concept puts me off too much to get into it.
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Date: 2017-09-15 05:18 pm (UTC)There's a short video that gives closure to the series, and made me much happier than I think a second season would have.
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Date: 2017-09-15 06:28 pm (UTC)Thanks for the video link! I'll check it out when we're done.
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Date: 2017-09-15 08:55 pm (UTC)no subject
Date: 2017-09-16 12:30 am (UTC)Thanks for the other titles -- I'll take a look at them!
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Date: 2017-09-16 05:49 pm (UTC)Thank you for reminding me of Travellers, which I forgot to include in the post. It's not exactly fluffy, but it isn't super grim either, and I enjoyed the first season.
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Date: 2017-09-20 01:38 pm (UTC)Also, I did like Agent Carter's first season: initially it seemed a bit heavy-handedly obsessed with sex discrimination but overall it delivered well. I think they made more but I didn't bother.
Some of the fun science fiction bogs itself down in needless digressions into arrantly daft scientific explanation; The Flash was a culprit there; I didn't stay with it long enough to find if it improved.
Of course, there's also fun stuff that's more paranormal-weird than science fiction, anything from Wonderfalls to Dead Like Me, can't remember what there is currently though.
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