a visual resource
Mar. 7th, 2011 02:07 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
The next post in the "writing fight scenes" series has been delayed by the necessity of scanning in a few things for illustrative purposes, but in the meantime, have a video:
It's a nice demonstration of the tactics that prevail between a rapier and a longsword, as well as a few other technical matters that we'll get to in future posts. In fact, I may well refer back to this as an example later on.
It's a nice demonstration of the tactics that prevail between a rapier and a longsword, as well as a few other technical matters that we'll get to in future posts. In fact, I may well refer back to this as an example later on.
no subject
Date: 2011-03-07 11:34 pm (UTC)Would you like a technical break-down of some of the inaccuracies/flaws in what they were doing vs. what they should be doing, or are you more interested in the broader application? (For example, the rapier is too short for Capoferro, which limits the rapier fighter's options in this fight. Likewise, the long sword was limited since they clearly weren't allowing grappling or other kinds of less-friendly strikes for safety reasons.) Ditto on the correct stuff?
no subject
Date: 2011-03-08 12:39 am (UTC)It seemed to me that the Capoferro fencer wasn't good at staying in stance, and the Meyer fighter was using a very long but narrow stance. However, my knoweldge of those manuals is limited.
no subject
Date: 2011-03-08 01:52 am (UTC)no subject
Date: 2011-03-08 02:27 am (UTC)no subject
Date: 2011-03-08 06:58 am (UTC)no subject
Date: 2011-03-08 12:22 pm (UTC)From a practical fighting point of view (not necessarily the same as a sporting point of view) the rapier is a bit short to be being used singularly against the longsword blade based on the heights and build of the people involved.
You want to get the longswordsman to over extend his swing so you can make thrusts like the one that catches him in the armpit, or where you can get him off balance and use foot work against him to kick him off his feet (or strike at the knees). Again practical fighting, not legal fencing.
The weakness of the rapier fighter becomes obvious around 5:00 or so when he makes that weird running thrust that leaves him with back/side temporarily undefended and exposed and his balance all shot to hell. It looks like bad desperation move and he was lucky that the longswordsman didn't have the reaction time to take advantage of it.
no subject
Date: 2011-03-08 05:26 pm (UTC)* We don't see much of either one trying to push hard to close the distance. Should we expect that the longsword with that two-handed grip and slashing edge would want to get inside? Of course, if the rapier had an offhand weapon that'd change things again. :)
* Unless you're looking for a stylized fight, in our scenes we'd probably expect that we'd see more combinations moving in to multiple hits to finish the fight, which would then cause the fighters to move differently. i.e. tag his arm, then drag it in to his chest or head, or sweep the motion around to build power and end it. By its nature sparring is "yeah, you got me, point, let's reset". Though we do get a pretty cool block, rotate, and downward blow of the longsword to the rapier's shoulder that feels "real".
Hmm, I guess in a story I would think of this as two experts who respect each other. They're feeling each other out, cautious on commitment to attack, both very aware of what the other can do.
no subject
Date: 2011-03-08 06:53 am (UTC)Thanks for posting.