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An Archive of Our Own, one of the big fanfic sites, is working on implementing "subscriptions," where you can designate particular authors (or fandoms or tags or what-have-you) and be informed when new stories get posted.

It occurs to me that, as more and more short fiction publishing moves online, how useful this could be. I mean, I post links when stories of mine go up, so if you read my LJ you hear about those things. But that requires you to follow a bunch of different separate feeds, and it buries the story links in the noise of everything else you read. Maybe some online 'zines tag their stories in a way that allows you to tell Google Reader or whatever, tell me whenever Clarkesworld publishes a Cat Valente story -- I don't know; I haven't tried -- but if she then publishes a story in Lightspeed instead, you won't know about it. How technically difficult would it be to create an aggregator site that covers all the online 'zines (ending at whatever bar the site's operator chooses), and then once you pick an author from their database, notifies you whenever that author publishes something, wherever it might be? I have no idea; IANenough of a webgeek to do that kind of thing myself. I imagine it would require some amount of cooperation from the publisher's side, tagging the pages according to the aggregator's requirements, etc. The benefit, however, is that it drives traffic to your site; and if I discover a lot of the writers I've subscribed to are being published in Beneath Ceaseless Skies, I might start checking out who else they print, because clearly that place fits my taste. (Heck, print magazines could even benefit, with a blog that advertises the latest ToC.)

I dunno -- maybe it would weaken the sense of loyalty to particular publications in favor of the writers. We still haven't solved the problem of funding online magazines, and if something like this makes it harder for Strange Horizons to raise money, etc, because people are no longer self-identifying as "SH readers" but readers of one author or another, then that would be a problem. But if you really like Aliette de Bodard's Xuya stories, it would be neat to have something automatically alert you when one of them pops up, even if it's in a place you don't normally look. It seems to me this fits with the a la carte trend I'm seeing in how we consume media: Tivo to pull down the programs we want to watch, iTunes selling us individual tracks instead of whole albums, etc. I'm reading some serialized stories online, and I know having new chapters pop up in my reader, without me having to go check for updates, is damned convenient. If short story publishing in general had something like this, I'd use it in a heartbeat.

Date: 2011-01-26 09:50 pm (UTC)
From: [identity profile] swan-tower.livejournal.com
How is that handled now? Google Reader almost always provides me with the whole text of a post, and technically that's a reprint of somebody's original content. Do you mean it's an issue for how the contract between author and publisher is worded? Hmm, I'd have to dig up a cross-section of my contracts to see whether their wording implies a conflict or not.

(Electronic media in general have so thoroughly borked copyright, it isn't even funny.)

Date: 2011-01-26 10:51 pm (UTC)
From: [identity profile] alecaustin.livejournal.com
Blog and RSS aggregators basically work off of the principle that you're spreading people's freely provided content around, so why would they object? And in the context of blogs, they usually wouldn't - though occasionally someone like the AP tries to come up with some sort of scheme to charge people for quotation practices that are probably covered by Fair Use.

Things can become a bit dicier when you're getting into reproducing content that's known to have re-publication value (i.e. whole stories, that sort of thing). The potential for people to say things like "You're publishing my story in a way that isn't covered by the contract!" goes up a bit, and I'm pretty sure Daily Science Fiction and similar markets have contracts to account for this kind of thing.

Electronic Media has totally borked the traditional conception of copyright, in all kinds of ways. I've written white papers arguing that people should try to us free content to leverage audience goodwill to the advantage, but that isn't always viable.

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