Inspiration Has Its Own Timetable
Jan. 24th, 2006 03:37 pmAh, the beloved and detested tendency of inspiration to strike when I really don't have time for it.
In less than twenty-four hours, I've gone from revisiting the thought that I should rip out the Changeling-specific and Earth-specific aspects of the Central American stuff I cooked up for the Changeling game and use it as the basis for some kind of fiction, straight to two hundred some-odd words of a story that really, really wants to get out of my head RIGHT NOW. Nevermind, of course, that I'm working on Warrior and Witch, and really need to be focusing on that, not questions like how many Nahuatl terms I can get away with before my readers will quit in despair. The point is, having passed very rapidly through the stage of "well, I've got a setting, sure, but no particular story ideas," I'm having to push at this bitchy little tz'ite in my head (huh, should I go on using the term tz'ite, or find something else? NO NO NOT TIME FOR THAT RIGHT NOW) to get her to shut up.
This will only encourage her, but I figured I'd share the beginning of the story.
Sitting alone in the green heat of the forest, far from the road and any observing eyes, Neniza began to craft her mask of flesh.
She began with her toes, for the face would be the hardest part. She would have dearly loved to shape herself into the slender, delicate form of an amanatl, but it would never work. Oh, she could take the form easy enough, but the amanah were not common caste, and she could never hope to mimic the ways of court folk well enough to pass. Instead she crafted for herself the petite, pretty form of a young alux peasant. The lord took his amusements often enough with such. It would suffice.
Her father had taught her this work, their art, after her horrified mother saw what she had birthed and left it in the woods. He would have preferred a son, Neniza knew. Daughters were dangerous things. She had not told him where she was going, what she intended to do. He believed they should stay out of sight, accept their exile to the forests -- nevermind that he himself went to town all too often, to court the women of other castes and sire more children for them to fear. It was all right for him.
But not for her. She was too dangerous.
That means I'm powerful, Neniza thought, and began to work on her face.
Now I'm going to put her away and go back to work on the novel at hand.
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Date: 2006-01-24 08:48 pm (UTC)no subject
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Date: 2006-01-24 09:18 pm (UTC)no subject
Date: 2006-01-24 09:20 pm (UTC)no subject
Date: 2006-01-24 08:49 pm (UTC)That feeling when an idea is in your head and HAS to get out is like no other feeling in the world...
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Date: 2006-01-24 08:53 pm (UTC)no subject
Date: 2006-01-24 08:55 pm (UTC)no subject
Date: 2006-01-24 09:19 pm (UTC)no subject
Date: 2006-01-24 09:25 pm (UTC)Just wondering, have you read Villa Incognito by Tom Robbins? It reminds me a little bit of that.
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Date: 2006-01-24 09:31 pm (UTC)I'm a sucker for things drawing on non-European folklore, though, so I may check it out.
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Date: 2006-01-24 09:55 pm (UTC)no subject
Date: 2006-01-24 09:31 pm (UTC)But the Central American stuff is way cool. And I'm confidant in your ability to pull the language stuff off. I mean, "La Llorona" was just fine, and that one didn't exactly shy away from foreign language terminology.
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Date: 2006-01-24 09:33 pm (UTC)Which is why, of course, I'm trying to figure out how to keep them in this setting . . . .
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Date: 2006-01-24 09:48 pm (UTC)I believe I even thought 'La Molejera' and just typed La Llorona, probably because I've typed it more.
But psychos makes great villains. Especially when you give interiority into their motivations and schtuff rather than letting them be 2-D mental cases. But not too much interiority, though , cause then it can get too squicky.
But then again, with the Central American milieu, gristly seems to be sorta par for the course...basically, do what you want. I trust your fu. :)
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Date: 2006-01-24 09:49 pm (UTC)no subject
Date: 2006-01-25 12:40 am (UTC)"Apocalypto" (summer): Mel Gibson scored the first blockbuster done in ancient languages with "The Passion of the Christ." Now he tells a historical epic in the Mayan tongue of Yucateco, set before the 16th century Spanish conquest of Central America. Gibson says the film will be light on dialogue and heavy on imagery and action. Lethal arrow?
...Assuming you have no problem with Mel Gibson tie-ins. (;
And *i'm* intrigued. As someone who knows less than she ought to about Central American schtuff, i'd be willing to read it and let you know how lost i get. (:
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Date: 2006-01-25 03:06 am (UTC)At the rate that the submission process goes, I have little doubt this story will still be in a slush pile somewhere when the movie comes out.
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Date: 2006-01-25 02:33 am (UTC)I love all of it, but that may be my favorite line of all.
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Date: 2006-01-25 03:07 am (UTC)Of course, it'll sound just like some kind of metaphor or social commentary -- up until you hit the bit of the story where you find out how very, very literal that is. Females of her kind are EXTREMELY dangerous.
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Date: 2006-01-30 03:17 am (UTC)no subject
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Date: 2006-01-31 04:02 am (UTC)no subject
Date: 2006-01-31 04:34 am (UTC)no subject
Date: 2006-01-31 11:18 pm (UTC)And if you win the lottery this year, consider also
http://www.mythicjourneys.org/