I'm way behind on posting, so expect a couple more of these soon.
This book, more than any other, illustrates how idiosyncratic my divide is between my first-tier favorites and the second tier.
Power of Three is in the latter category, not because of any flaw in the story -- it's excellent, probably one of her best -- but simply because it never quite got into my imaginative foundations the way some of her others did. I don't know what made some books do that, and others not; all I know is that it isn't a question of quality. This is a wonderful book.
From the back cover copy, because my brain is too lazy to come up with its own plot summary:
Something is horribly wrong on the Moor. Gair and his people are surrounded by enemies -- the menacing Giants and the devious, cruel Dorig. For centuries the three races have lived side by side, but now suspicion and hatred have drawn them all into a spiral of destruction.
With the existence of his people threatened, Gair realizes that evil forces are at work. For the Moor is blighted by a curse of ancient and terrifying power . . .
A good summary, except that the final bit is quite wrong. I know it sounds more fantastical to talk about ancient curses, but one of the things I like about this novel is that the curse
isn't ancient. It was placed within living memory -- it's the first thing that occurs in the book -- and is the simple, horrifying consequence of somebody being greedy and foolish and violent. And, as in
The Magicians of Caprona, it's at least in part up to the younger generation to undo it. (Not entirely up to them, though. One of the other things I like is the role played by Gest and Adara, and Mr. Masterfield and Mr. Claybury, and at the center of it all, Hathil.)
There are lots of other things to like, too. The little grace notes in the worldbuilding, like the respect Gair's people pay to bees, and the customs of the Dorig. The perspective on what constitutes magic. The very believable relationships: not only are there lots of great sibling setups throughout this, but once again, as with
Caprona,
Dark Lord of Derkholm, and a few other books, we get imperfect-but-strong families, instead of abusive parents and neglected children. And the ending is a lovely balance of the mythic and the personal, which is one of the things I have always loved Jones for.
That's a lot of what I wanted to say, but a few more bits do involve spoilers.
( Read more... )I think I had a few other, smaller things to say, but I've forgotten them. That's what I get for not posting as soon as I finished reading the book, I suppose. :-P Anyway, look for more posts soon!