The DWJ Project: The Ogre Downstairs
May. 20th, 2011 11:55 amCaspar, Johnny, and Gwinny are none too happy with their mother having remarried, to a man they think of as the Ogre. The Ogre's sons, Douglas and Malcolm, aren't very happy with it either. Then the Ogre buys Johnny and Malcolm chemistry sets, and wacky hijinks ensue when some of the chemicals turn out to be magic.
This, like Witch's Business (aka Wilkins' Tooth), is in the camp of "books I read once and never went back to." It's not hard to see why. This isn't a bad novel; it may bear a strong resemblance to the stories in Stopping for a Spell, but it's far better than any of those, probably because it's longer and therefore has more time to develop its ideas. But there's no deeper, more fantastical layer -- not even the hint of one you get in Witch's Business. The chemicals that drive the plot never get explained, and their source vanishes at the end of the book, without ever having made more than a cameo appearance in the tale. So basically, this feels more like standard-issue children's fantasy, less like Diana Wynne Jones.
There are a few characteristic touches, though, discussion of which I'll put behind the cut.
( Read more... )
I think I'll try to finish out the month with Eight Days of Luke, which is the favorite I haven't gotten to yet, and another of her early books. Then I'll probably skip down the timeline for The Merlin Conspiracy, which has been requested. Onward!
This, like Witch's Business (aka Wilkins' Tooth), is in the camp of "books I read once and never went back to." It's not hard to see why. This isn't a bad novel; it may bear a strong resemblance to the stories in Stopping for a Spell, but it's far better than any of those, probably because it's longer and therefore has more time to develop its ideas. But there's no deeper, more fantastical layer -- not even the hint of one you get in Witch's Business. The chemicals that drive the plot never get explained, and their source vanishes at the end of the book, without ever having made more than a cameo appearance in the tale. So basically, this feels more like standard-issue children's fantasy, less like Diana Wynne Jones.
There are a few characteristic touches, though, discussion of which I'll put behind the cut.
( Read more... )
I think I'll try to finish out the month with Eight Days of Luke, which is the favorite I haven't gotten to yet, and another of her early books. Then I'll probably skip down the timeline for The Merlin Conspiracy, which has been requested. Onward!