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I’ve fallen comprehensively off the wagon of recording what I read and posting about it, but I’d like to get back to that. So, without any attempt to catch up on the year or so that I missed, here’s the log from January.

Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft and Mary Shelley, Charlotte Gordon. The premise of this dual biography is that Wollstonecraft and Shelley influenced each other, even though Wollstonecraft died a few days after giving birth to Shelley. The mother-to-daughter influence is easy to see; the daughter-to-mother influence is much more heavily inferred, based on the idea that Wollstonecraft was concerned with the future and with the lives of women, ergo with the life her daughter would have. I’m not quite sure I buy that half of the premise as much as the introduction made me expect, but that in no way stops this from being an excellent book that vastly expanded my understanding of both women. I had no idea how many other books both of them had written, nor the degree of respect Wollstonecraft had during her lifetime. (A respect that vanished almost immediately after she died, thanks to her husband’s misguided attempt to “rehabilitate” her image to the way he wanted to see her. She went from “respected intellectual” to “whore;” her daughter, who likewise got revised by her daughter-in-law, went from “whore” to “respectable Victorian wife.”)

Ninefox Gambit, Yoon Ha Lee. [Disclosure: the author is a friend.] The opening battle scene was gruesome enough, thanks to the exotic technology used, that I wasn’t sure what I would think of the book overall. Once I got past that, though, I was thoroughly sucked in (and the rest of the book is much less gory). The genre is space opera, but because the functioning of exotics is based on the enforcement of a calendrical system and heretical deviations from that system can make the tech stop working, it reads to me like fantasy poured through a mathematical framework. The worldbuilding reminds me of Ada Palmer’s Too Like the Lightning, not in any of its specifics, but in the sheer wealth of detail, much of it the sort of thing I don’t usually encounter in science fiction. And despite the fact that I am thoroughly sick of the “asshole genius who makes everybody dance to his tune because he’s so damn brilliant” trope, Jedao was my favorite character in the whole novel. There are ways to make that trope work, and this is one of them.

Women in Practical Armor, ed. Ed Greenwood and Gabrielle Harbowy. Anthology I backed on Kickstarter, themed around female warriors. Most of what’s in here is very much classic D&D/sword-and-sorcery fantasy. My favorite story was probably the one that took the antho title most literally: “Pride and Joy” by Eric Landreneau, wherein the hazards of boob-plate armor get hammered home.

The Just City, Jo Walton. First of the Thessaly series. Athena gathers together people from throughout history to found the city described in Plato’s The Republic and see how it works out. By dint of its subject matter, I mentally classify this with utopian SF, but from the start it’s clear that while the Just City is an attempt to create a utopian society, it is deeply flawed in multiple ways. (As Apollo says at one point, what Plato knew about love and relationships would fit on a fingernail paring.) If, like me, you are the sort of person who bounces in glee at the prospect of seeing Athena and Socrates square off in a public debate, this is the book for you.

Elfquest: Fire and Flight, Wendy and Richard Pini. Re-read. I love this series so much. For more detail, see the re-read posts (but beware spoilers).

Everyday Things in Premodern Japan, Susan B. Hanley. “Premodern” here specifically means the Tokugawa period, with some attention to what came before and after for context. Hanley’s main thesis is that, contrary to how Victorian travelers portrayed things, the quality of life improved massively in the Tokugawa period, in large part due to technological advancements that came out of the Sengoku/Warring States period immediately prior. What I found the most interesting was the discussion of how many aspects of what we now think of as traditional Japanese culture were Tokugawa-era responses to limited resources: with the country closed to outside influences, they had to make do with what they had in their islands, and this influenced everything from food to architecture to clothing to sanitation. (When you don’t have enough arable land to waste much of it on livestock, you don’t have animal manure to use as fertilizer, so human waste becomes a valuable enough resource that you not only put in place systems for removing it to agricultural areas, you start having problems with people stealing it.)

The Sumerians: Their History, Culture, and Character, Samuel Noah Kramer. I must have bought this back in high school or early college, because the price sticker on it is from Half-Price Books, which I used to frequent in Dallas. The book itself is a mildly interesting read, but I would love to compare it against something more recent, because I imagine the state of Sumerology has come on a bit in the fifty years since this one was published. I welcome any recommendations from the commentariat.

Originally published at Swan Tower. You can comment here or there.

Date: 2017-02-14 02:13 am (UTC)
sovay: (I Claudius)
From: [personal profile] sovay
A respect that vanished almost immediately after she died, thanks to her husband’s misguided attempt to “rehabilitate” her image to the way he wanted to see her. She went from “respected intellectual” to “whore;”

What the hell did Godwin say about her?

Date: 2017-02-14 03:06 am (UTC)
From: [identity profile] swan-tower.livejournal.com
The truth . . . ish. Wollstonecraft had told everyone she was married to Gilbert Imlay (they pretended to be married to protect her when she was in France basically being a war correspondent on the Revolution), but Godwin told the world that was a lie and that Wollstonecraft's first daughter was a bastard. Since he and Wollstonecraft had both scoffed for a long time at the institution of marriage (before getting hitched to each other), he saw that as him upholding the ideals they had shared, but it posthumously ruined Wollstonecraft. And he'd viewed her kind of as a broken bird that he'd taken in and saved, so his memoir of her played up her depressive episodes and suicide attempts and so on, which meant everybody promptly checked off the mental box labeled "hysterical slut" and forgot her work and her philosophical acumen. Godwin loathed Wollstonecraft when he first met her, and although he fell in love with her later, it seems to have involved a great deal of him editing out the aspects of her personality that put him off -- like her tendency to dominate the conversation as if she had as much right to do that as any man. Thanks to him, the rest of the world forgot it, too, for the next hundred and fifty years or so.

Date: 2017-02-14 07:26 am (UTC)
sovay: (PJ Harvey: crow)
From: [personal profile] sovay
like her tendency to dominate the conversation as if she had as much right to do that as any man. Thanks to him, the rest of the world forgot it, too, for the next hundred and fifty years or so.

That's well put.

[edit] I ran into this comic and thought of you.
Edited Date: 2017-03-07 07:44 am (UTC)

Date: 2017-03-07 08:38 am (UTC)
From: [identity profile] swan-tower.livejournal.com
Seeing as how she actually did hop on a boat to Scandinavia -- albeit for entirely different reasons -- I can buy it. :-)

Date: 2017-03-08 07:09 am (UTC)
sovay: (Sovay: David Owen)
From: [personal profile] sovay
she actually did hop on a boat to Scandinavia -- albeit for entirely different reasons

I hope they were as badass.

Date: 2017-03-08 07:11 pm (UTC)
From: [identity profile] swan-tower.livejournal.com
In a way, yes. She and Imlay had a plan to get rich by selling some Bourbon silver that had wound up in their hands, which involved finding an honest ship captain to sell it in Scandinavia for them. Captain sailed off, wasn't heard from again*. Imlay got it into his head that the way to deal with Mary's post-partum depression was to send her to Sweden to find out what happened -- which seems to have been a good idea, even though Sweden was not exactly on the beaten path for Englishpeople of the time and even though putting a woman and her infant on a ship across the North Sea is not what most people would recommend. Mary was the sort of woman who felt better when she had a purpose, and getting away from Imlay gave her some much-needed perspective. By the time she came back, she was in a much better state of mind.

Unfortunately this is part of what later came back to bite her on the ass. She edited the letters she wrote while in Sweden to form a book . . . but Godwin later published the unedited material. Letters from Sweden is philosophical and well-reasoned. The actual letters are full of mood swings and pleading with Imlay to love her again and other things that, as per above, led people to write her off as a hysterical slut. Even Gordon, the writer of this biography, admits that it's hard for a feminist and admirer of Wollstonecraft's work to read some of what she wrote, because it's so pathetically dependent on Imlay's affections.

*Unsurprisingly, the honest ship captain turned out to be not so honest once out of sight with a hold full of smuggled silver.


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