Mar. 28th, 2017

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My sister and I went to see the Power Rangers movie this past weekend.

You may think this was due to some nostalgia on my part. It’s not: I never watched the show, never had any of the toys, only vaguely knew it was a thing. My previous attachment to Power Rangers was nil. But the trailer looked fun and I’d done a whole lotta adulting over the previous couple of days, so off we went, even though my sister said that “everything Haim Saban touches is covered in a layer of Cheez Whiz.”

This led to us formulating the Cheese Theory of Adaptations.

At the low end you have something like the G.I. Joe movie. Was it cheesy? Yes — but it wasn’t good cheese. In fact, it was pre-sliced American cheese, and we’re not even sure the film-makers remembered to take off the plastic wrapper before offering it to us.

On the high end you have the first Pirates of the Caribbean movie. Which is also incredibly cheesey — but you find yourself saying, “dude, is this gruyere?” We’re talking high-quality cheese here, folks. The sort you can eat without feeling ill afterward, and even want to eat again.

The Power Rangers movie isn’t gruyere, but my sister and I agreed that it’s a good, decent cheddar. The weakest part of it was the obligatory Mecha Smash Fight at the end; by putting all the heroes into mecha, you restrict 90% of their opportunities to act, because the close-up shots of them mostly consist of them talking and then being shaken around their cockpits. But the good news is that the mecha part only comes at the very end of the movie, because the writers were far more interested in spending time on character development. These Power Rangers are a bunch of messed-up kids, and they aren’t able to “morph” (manifest their color-coded suits of armor) or control the mecha until they sort out some of their messes. That runs the risk of being pat — an After-School Special kind of story — but it isn’t, because “sort out” isn’t the same thing as “get over.” Nobody learns a Very Important Lesson and is thereafter rid of all their issues. Resolution comes in the form of honesty, of admitting they’ve got problems and trusting one another with their secrets. It lends weight to the idea that they have to work as a team; you can’t do that when you’re afraid to show your true self to your teammates, very real warts and all.

And there’s something to be said for throwing your entertainment dollars at a movie that shows a broad cross-section of the teenaged world. The Red Ranger and team leader appears to be your usual whitebread sports hero (and in the TV series that’s apparently what he was), but he’s got a history of sabotaging himself in disastrous ways; the introductory scene ends with him wearing a police-issued ankle monitor after a high-speed chase and subsequent wreck. He’s the only white member of the team. The actress playing the Pink Ranger (whose color palette has shifted closer to the purple end of the spectrum) is half-Gujarati, and her character is in trouble for having forwarded a sexually explicit photo of her friend to a guy at school. The movie shifts things around so that the black character is no longer also the Black Ranger; he’s the Blue Ranger instead, and on the autism spectrum, while the Black Ranger is Chinese-American and taking care of his seriously ill mother. Finally, there’s been a fair bit of press around the fact that the Yellow Ranger (played by a Latina actress) is the first LGBTQ superhero in a feature film.

So like I said: a good, decent cheddar. The characters are vivid and interesting, their problems feel very real, and the resolution on that front isn’t too tidy or simplistic. The villain and the throwdown with her are the least interesting parts of the whole shebang, but they don’t take up too much of it overall. It was a fun way to spend my Sunday afternoon.

Originally published at Swan Tower. You can comment here or there.

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